Krantiveer – The Revolution: Movie Review

Friday, June 25, 2010

Rate:1.8/5

Cast: Jahan Bloch, Samir Aftab, Adiya Singh Rajput, Harsh Rajput, Farida Jalal, Ranjeet, Govind Namdeo, Mukesh Tiwari and Aman Verma

The program follow-up super successful Krantiveer (1994), which was Nana Patek Best Actor, Krantiveer National Award - Revolution (KTC) is a modest attempt to re-patriotic fervor, which was the original.

Roshni (Jahan Bloch) is the daughter of the man, as the last revolution, Pratap Narayan Tilak and his wife (Nana Patekar and Dimple Kapadia). She, like her father wants to rid the nation of corruption and the evils of contemporary society. She gets a platform for participating in a television as an investigative journalist. It is hell bent on exposing all the frauds in the country, including trials of high-profile businessmen and ministers. With his friends Vishal (Samir Aftab). Goldie (Aditya Singh Rajput) and Uday (Harsh Rajput), she takes the crusade for success and at the end, despite the many odds

The only reason Krantiveer was a success, because KK Singh dialogues, Nana Patek direction and nature of Mehul Kumar. Singh is not at issue here, Nana does not work and film veteran, however, has made a sincere attempt fails. There is no direct relationship with the territory at any time 26/11 scenes of attacks, which are to climax. Although Mehul Kumar has tried to prove the authenticity of using the footage from 26 September 11 terrorist attacks, is to impress the public.

His daughter rookie Jahan was a long rant dialogue from the outset. Even if good faith is not it really works. Much is too much responsibility on his shoulders and less opportunity to rest. The newcomers Samir Aftab, Adiya Singh Rajput, Rajput difficult to put their sincere efforts. Senior actors like Ranjeet, Farida Jalal almost impossible to do more. Aman Verma at honcho Mukesh Tiwari, Govind Namdeo and playing dirty ministers are working well.

Music by Sachin-Jigar is passable and the songs "mere Khuda Khuda" and "Tera Aaya Chhote" anniversary working at the screen. But the songs' "Firangi Paani" and "Lau Jale" unnecessary. Cinematography and Editing do not meet standards.

Although this can not be an effort to go to the movies, the film appears as a genuine attempt to raise young Indians and clear that this corruption of our politics.

Mr Singh Mrs Mehta Movie Review

Friday, June 25, 2010

Rate: 1.5/5

Cast: Prashant Narayanan, Aruna Shields, Lucky Hassan and Naved Aslam

Mehta Aditya (Narayanan Prashant) is one artist who is shown painting the feet of his wife and the fabric colors. His wife Sakhi Mehta (Lucy Hassan) is having an affair with Karan Singh (Aslam ships). Now the wife Neera Singh Karan (Aruna Shields) discovers that her husband is cheating and she ended up seeking solace in Aditya. They shed the shame and anger that they find comfort in another friendly. But despite hitting well, do not try to have a relationship with another.

We do not understand that while adultery is displayed openly obvious from the beginning, why Neera Aditya and never try to meet their partners in it? Trying to make the film more widely provocative nudity was incorporated under the pretext of overcoming the block of a female nude painting wing Leonardo DiCaprio in "Titanic"; Now, with humor, Neera is being diverted to pose nude for the painting that Aditya wants to do, despite the fact it was shown that around naked in store for much of the film Aditya. What irritates censorship stirring constantly trying to cover her naked body. The climax is supposed to be symbolic, but it is too hasty to be feeling it just a little more film left! It's okay to make a home complete art project, but at least it leaves the movie to connect to a certain level or get some emotion in the viewer frustration!

Prashant Narayanan is just about okay but he has done better work before. Aruna Shields is made to expose her body more than her acting skills. Lucky Hassan is passable. Naved Aslam is fair.

Prashant Narayanan is more or less correct, but has done better work before. Shields Aruna, is performed to expose her body on his acting skills. Hassan Luck is passable. Ships Aslam is correct.

Raavan Movie Review

Friday, June 18, 2010

Rate: 2/5

Mani Ratnam directs its own version of a mythological epic poem many prayers, the Ramayana.That statement alone was sufficient to drastically increase the level of curiosity, both industrialized and non-public. But honestly, the ads and the music was put me in a problem. At one end, the film might be an abstract painting of a beautiful African species used in the soundtrack track and the other clearly gave strong signals with very interesting and implementation unfavorable.

Wait flashing visual motion picture film developer and rAAV is no exception. But rAAV reluctant to tell the story with great skill. In fact, the latter half of a seesaw, with an hour boring and lifeless first second and weaker absorption peak boring.

last word? RAAV comes with the baggage of expectations Humungous, especially for single name associated with Mani Ratnam. Although comparisons with previous results as Mouna Raagam genius filmmaker, Nayagan, Agni Nakshatram, Geethanjali, Anjali, Roja, Bombay and Guru is a sacrilege, because we all belong to different genres, rAAV is far from the epics. The benchmarks only higher and more each time Mani Ratnam makes a film rAAV and, unfortunately, is a step down. Sorry, lots of stairs!

The biggest and the most un-responsible portrayal on the screen is of “Hanuman”, who in reality is the second largest worshipped character of Ramayana in the whole world after Rama & Sita. Very regrettably Mani Ratnam uses the talented Govinda in this role and only makes him jumps over the trees in the jungle as a funny creature. That was indeed not expected from a director of his caliber. Moreover, Govinda is there only for a few scenes and then just vanishes off the screen before the climax just like that. Why the director and his writers conceived this most loved and humble character of the epic in such a way remains questionable?

Most of the United Nations and responsible way to display the Hanuman, which is actually the second most popular character in the world after the Ramayana Rama and Sita. Very unfortunately, Govinda Mani Ratnam uses talent in this role, and it does just jump over the trees like a jungle creature fun. Actually did not expect the leader of his caliber. Also, Govinda, there is only a few scenes and then disappears from the screen just before the climax. Because the director and his writers conceive this most loved, and submissive nature of the epic poem so controversial?

The other characters that have a gross actual treatment 'Srupnakha' and 'Lakshman' What would your reaction be if I reveal that, in this representation fictional history, Beera's (Raavan's) sister (Srupnakha) will be picked up from his place of marriage by Nikhil Driwedi (playing Lakshman), which is the right arm Dev ( a police officer Ram play), then the young girl is raped by him in collaboration with more police on the police station itself. What a brutal way to raise the "Lakshman-Srupnakha episode from the Ramayana, which gives the abduction of Sita Raavan."

Because of this episode terrible sister to the police station, police official Beer kidnaps the wife of Ragin (Aishwarya playing Sita) and keep it hidden for 14 days. And then the police start searching through the jungle 'Sanjeev'  (Hanuman), called Govinda. It is a story in its entirety after this new version was in Mani Ratnam. Moreover, the film also includes the degree of Agni Pariksha Ramayana, the return nest Beer, Dev asks Ragin Poly chart to give evidence to prove the truth (which seems pretty stupid and insignificant).

Coming to the main results of Ram, Sita, Lakshman and Raavan, the four collapses and is unable to make a distinction whatsoever. Vikram to play Ram was no good scenes of his character remains the most supported one of four important. There is no kind of impression on the spectators Ram and Vikram works well in its assigned role. Aishwarya Sita is fantastic, even in her without makeup look that is truly remarkable, from the point of view camera. She strives to find the best in the film as well as succeed in his studies because of the slight protrusion of his character rival Raavan. But towards the end, the instructor makes it look confused when she inexplicably returned to Beera after facing the rejection of her husband. No doubt that this particular sequence in the film is the result of bad writing. Nikhil Lakshman Driwedi who is energetic and should feel proud to be chosen by the master himself to a role.

Ravaan Abhishek is good, but that's it. It is not at all exceptional as always all pre-release hype created by the producers. Laughter deliberately much of his famous can be found nowhere in the film. Nor is a typical style of dialogue delivery adapted by him, contrary to expectations. It is therefore unable to leave any terrible impact on viewers. It's just a bad-hearted man in the film and that is everything. Perhaps it is the main reason rAAV does not match its expected level, due to poor representation of your character.

Another major drawback of this project dear to his height. The film ends with a single attack on Beera and die without a fight. The full range of his murder last seems very simple and convincing. In addition, the question remains that why Dev now easily accept his wife after the death Beera because she had returned to Beera after foul play.

In the face of music, I really liked the arrangement of the music of AR Rahman for his compositions. The melody was there only a few figures and the best is  'Kata Kata'  track with impressive vocals and rhythms.

Now about the movie is better than his impressive film. Green spaces and a large unexplored forests in the mountains, is something never seen on screen in India. The visual appeal of the film is simply outstanding and unique. In real terms, if you're a film student or film, then the manual actually obtained film material on the subject and is a must for anyone interested in their technology.

A total Raavan is a king-size disappointment regarding the content. From a business perspective, a film by Mani Ratnam ensure open [sound plexes mostly], but the script weakness on one side and the heavy toll on the other side will see red Raavan.

                      Ranjha Ranjha  Full Song (Raavan)

Friday, June 11, 2010

Rate: 2/5

Cast: Jackie Shroff, Manisha Koirala, Nikita Anand, Muammar Rana, Rozza Catalano, Agastyaa Singh, Hanbir Malik

Partho Ghosh has made some interesting films in the past. 100 days and Dalaal Agni Sakshi are three films that I remember the moment. But his new film Ek second ... Jo Zindagi Badal De makes you uncomfortable in your seat. Movies like 100 days and Agni Sakshi have specifically noted the value only because she had the courage to tell an interesting story on celluloid. Ek second ... Jo Zindagi Badal De is an interesting idea, but is struggling with a bad script, while the enforcement Partho is archaic.

Inspired by Gwyneth Paltrow starrer Sliding Doors (1998), Ek second ... Jo Zindagi Badal De simply no!

Ek second ... Jo Zindagi Badal De tells the story of a couple - Muammar Rana, an author and Manisha Koirala, his beloved. Muammar is a Casanova, who twice Manisha with Nikita Anand, who, we are told, was his first girlfriend. What happens when you lose a train Manisha for a split second? Two stories - the first is Muammar, Manisha and Nikita and the other involving Jackie, Manisha Roza - run at the same time thereafter.

Nothing works in this film, except, to some extent, the musical score, which is also strictly correct. Although the names of experience, performances of the actors are below normal. Manisha has lost its charm. Jackie looks completely lost. Pakistani actor Moammar Rana, Dobara seen before in a short paper, comes with regular expressions. Nikita Anand exposes her curves without restrictions and is very effective. Roza sizzles in the dance number, but no acting talent. Suniel is awkward.

In general, second Ek ... Jo Zindagi Badal De is a poor show.

The Camp Movie Review

Friday, June 11, 2010

Rate: 2/5

Cast: Sonali Kulkarni, Rakesh Bedi, Sanjay Mishra, Suresh Chatwal, Krishna Bhatt.

The film is an experience of a group of children with their teacher at a campsite near the city. The film begins with children and the instructor will break camp and play, have fun when they have a bad surprise.

The film is a collection of events experienced by children and the instructor and the two henchmen who are trying to wrest the child from the group. Goons seem dangerous, but stupid. Some companies will eventually succeed in kidnapping a child, which leads to try to save the child. Somehow, the comedy duo-gorilla gorilla reminds us of the famous series, home alone.

The film starts with a good story with the teachers to teach children climbing, hiking, tying knots, activities, etc. assassins successfully tickle our funny bones. But slowly the story would be dull and predictable.

Some scenes in the movie makes no sense at all and seems forced. Sonali, a camp director, was expected to see a bit more fit, but acting comes naturally to her. The children have also done a fair job.

film music is decent, but could only disappear when outside the theater. However, peppy song shaan proves to be an exception. Background score the film lacks originality as well!

In general, film media. A little knowledge with a little extra motivation for children is the basic idea behind the film. Nothing unusual not to be missed from this!

Raajneeti Movie Review

Thursday, June 3, 2010

Rate: 4/5

Cast - Nana Patekar, Ajay Devgn, Ranbir Kapoor, Katrina Kaif, Manoj Bajpai, Arjun Rampal, Nasseruddin Shah

                       
                                           
                             Strong Chracters of Rajneeti

Raajneeti is a human drama, a complex which is exerted in order to obtain power and how the envelopes into greed and ruthless man and connivance. I recognize that it takes time for history to sink, but slowly and steadily, you get sucked into a world that is dark, dangerous and demonize. The dress can be white, but the acts are gray or black.

Raajneeti is not just a "Mahabharata", but "The Godfather". Although aware of "Mahabharata" or "The Godfather", one can not assume that modern games Pandavas and Kauravas would play Raajneeti. The story was changed continuously disassembled and serpentine manner and speed ... so you do not know what happens next. It keeps in constant awe of age. It 'clear, unpredictability is the greatest strength Raajneeti. However, I would like to clarify, this is not a documentary film brittle or sermons. This does not only entertain but also educate.

The down side? Not really. Opponents may note that the material subject is a "heavy", "serious" and "dry", but you know when the change of the "Mahabharata" in the current (now the policy), can not wait "lot of songs and negligent and Humor mimicry",Oh my goodness. These opponents may also find that time (almost three hours) is a no-no in today's Times, but do not forget that 3 hours is too short a good film, and vice versa, or even hours is too long and terrible film. Raajneeti is a really good product, then definitely do not mind the length. But one thing is certain: Raajneeti no food for the public, which keeps the brain at home watching a movie. You need to be vigilant and watch this.

A last word? Prakash Jha, the character is known for quality cinema and Raajneeti, his new contract, is high on the list. The film is the narration of interesting stories on film, and precisely for this reason Raajneeti deserves distinction marks. Of course, the distribution of massive stars and glittering performances finishing.

Bhaskar Sanyal (Nasseruddin Shah), fire-fire left-wing leader, feared for its ability to challenge itself to the most powerful leaders. Until error deprived him of his charge into voluntary exile.

Cut to the present. Prithvi (Arjun Rampal) is the heir of a powerful political heritage and eager to take the first position. But his cousin, Veerendra (Manoj Bajpayee) shows his greatest political opponent. He is a man who believes he was born to rule and who now will stop at nothing to get his way back up.

Conquered the family and colleagues, Veerendra play a new game: he collects Sooraj (Ajay Devgn), a young hatred in their hearts and minds of its leadership. Sooraj does not know the secret of his identity, which, of course, reveals much, much later.

Prithvi's brother Samar (Ranbir Kapoor) is an outsider, and not political aspirations, but he went into the battle torn arena of competition in the family. Just change the owner of the boat war policy. INDU (Katrina Kaif), daughter of a wealthy industrialist, as also requested in this website. Last but not least, Brij Gopal (Patek Nana), who plays the role of mentor and guide Prithvi and Samar as may be the bloodiest battle day by day.

It takes courage to build a giant cast, choose a story that takes account of each character and give the film the feeling of an epic. Also, you must have a thorough knowledge of the subject - politics, in this case. And for all those and several Prakash Jha deserves all the praise possible. He knows the area like the back of his hand, having observed the political culture very closely. As I said earlier, each character in Raajneeti is gray or black, not really clean.

This changed the length of nearly three hours, Raajneeti keep viewers glued to the goings-on at the beginning to end. Anjum Rajabali and Prakash Jha manuscript highlights the ugly face of democracy more realistic and believable. Continuous twists-n-turns in characters that change colors faster than chameleons, and a blood bath, occupy the highlights of this film. In fact, there are times that deserve Brownie Points, but would not be ethical to reveal here, because it would deprive them of entertainment throughout the movie.

If the script is watertight, the dialogue is equally remarkable. Each line is dipped in acid and only increases the impact of several sequences. There is no place for film music and songs, including the very popular "Mora Piya " is briefly interrupted in the story. The cinematography is top notch. Raajneeti is not an easy film to shoot, like the fact that there are more than three or four players in each frame, plus a massive crowd, of course.

The castle Raajneeti a multi-star film would be a mistake. This is a multi-movie actor and every actor delivers a stellar performance. The film has some of the biggest names in the industry, but those who stand out are Ranbir Kapoor, Arjun Rampal and Manoj Bajpayee. Ranbir surprises you with every film. Here is an actor who can give the best in the industry sleepless nights. Arjun is a revelation, and what a fantastic performance, he gives in. It is like a wild lion. Manoj gives his career best performance. He plays an excellent bad.

Ajay Devgn is sidelined in the second hour, but you must give the actor for the acceptance and approval of its part with absolute conviction. Nana Patekar is brilliant. Lines grow more acidic, with a smile that only a class player could have achieved. In fact, you can not imagine anyone else in this role. Katrina Kaif is first class. The sincerity and seriousness to show each sequence. She puts her glam doll image and becomes an actor in this film. Nasseruddin Shah in a brief role, it does well. Sarah is good.

The film has a number of talented names in supporting roles, and each will remain etched in memory, especially Dayashanker Pandey, Chetan Pandit, Darshan Jariwala, Shruti Seth, Kiran Karmarkar and Vinay Apte. Nikhila Trikha, as Arjun's mother and Ranbir, is admirable.

In general, Raajneeti had a radical impact. An admirable effort, this film is not very big miss.

Ashok Chakra Movie Review

Saturday, May 29, 2010

Rate: 1/5

Cast: Rajan Verma, Aroon Bakshi, Ashok Samarth, Mushtaq Khan, Homi Wadia, Sudesh Berry and Amit Behl

The first question that comes to mind is one minute film in October, for which this film was made. Who is the audience? Makers claim the film is dedicated to the martyrs of the massacre at 26/11, but the implementation is only an insult to those who took their lives on that black day.

The film tells Ajmal Kasab (Verma) and his journey from the LET training camp in Pakistan for his goal in India. He arrives at the Mumbai coast, with its nine other accomplices to spread terror in the fateful night of November 26, 2008. Kasab is cons Hemant Karkare (Homi Wadia) Tukarum Ombala (Ashok Samarth), Ashok Kamte (Amit Behler) Salaskar (Sudesh Berry) and several other law enforcement agencies. The rest of the film is what happens after KSAB made by the brave Ombala setting his life trying to stop it.

Green in every department, testing the patience, the film is a bad, bad production values, bad editing, bad description, and yes in the wrong direction. It'39;sad that such an important subject for a film about talent wasted money, who had money on the place to look for a movie like this. One can only imagine the drama of which were pain in real life, if they get a look at this stupid picture 26/11 cases.

Just avoid this one at any cost.