Raavan Movie Review

Friday, June 18, 2010

Rate: 2/5

Mani Ratnam directs its own version of a mythological epic poem many prayers, the Ramayana.That statement alone was sufficient to drastically increase the level of curiosity, both industrialized and non-public. But honestly, the ads and the music was put me in a problem. At one end, the film might be an abstract painting of a beautiful African species used in the soundtrack track and the other clearly gave strong signals with very interesting and implementation unfavorable.

Wait flashing visual motion picture film developer and rAAV is no exception. But rAAV reluctant to tell the story with great skill. In fact, the latter half of a seesaw, with an hour boring and lifeless first second and weaker absorption peak boring.

last word? RAAV comes with the baggage of expectations Humungous, especially for single name associated with Mani Ratnam. Although comparisons with previous results as Mouna Raagam genius filmmaker, Nayagan, Agni Nakshatram, Geethanjali, Anjali, Roja, Bombay and Guru is a sacrilege, because we all belong to different genres, rAAV is far from the epics. The benchmarks only higher and more each time Mani Ratnam makes a film rAAV and, unfortunately, is a step down. Sorry, lots of stairs!

The biggest and the most un-responsible portrayal on the screen is of “Hanuman”, who in reality is the second largest worshipped character of Ramayana in the whole world after Rama & Sita. Very regrettably Mani Ratnam uses the talented Govinda in this role and only makes him jumps over the trees in the jungle as a funny creature. That was indeed not expected from a director of his caliber. Moreover, Govinda is there only for a few scenes and then just vanishes off the screen before the climax just like that. Why the director and his writers conceived this most loved and humble character of the epic in such a way remains questionable?

Most of the United Nations and responsible way to display the Hanuman, which is actually the second most popular character in the world after the Ramayana Rama and Sita. Very unfortunately, Govinda Mani Ratnam uses talent in this role, and it does just jump over the trees like a jungle creature fun. Actually did not expect the leader of his caliber. Also, Govinda, there is only a few scenes and then disappears from the screen just before the climax. Because the director and his writers conceive this most loved, and submissive nature of the epic poem so controversial?

The other characters that have a gross actual treatment 'Srupnakha' and 'Lakshman' What would your reaction be if I reveal that, in this representation fictional history, Beera's (Raavan's) sister (Srupnakha) will be picked up from his place of marriage by Nikhil Driwedi (playing Lakshman), which is the right arm Dev ( a police officer Ram play), then the young girl is raped by him in collaboration with more police on the police station itself. What a brutal way to raise the "Lakshman-Srupnakha episode from the Ramayana, which gives the abduction of Sita Raavan."

Because of this episode terrible sister to the police station, police official Beer kidnaps the wife of Ragin (Aishwarya playing Sita) and keep it hidden for 14 days. And then the police start searching through the jungle 'Sanjeev'  (Hanuman), called Govinda. It is a story in its entirety after this new version was in Mani Ratnam. Moreover, the film also includes the degree of Agni Pariksha Ramayana, the return nest Beer, Dev asks Ragin Poly chart to give evidence to prove the truth (which seems pretty stupid and insignificant).

Coming to the main results of Ram, Sita, Lakshman and Raavan, the four collapses and is unable to make a distinction whatsoever. Vikram to play Ram was no good scenes of his character remains the most supported one of four important. There is no kind of impression on the spectators Ram and Vikram works well in its assigned role. Aishwarya Sita is fantastic, even in her without makeup look that is truly remarkable, from the point of view camera. She strives to find the best in the film as well as succeed in his studies because of the slight protrusion of his character rival Raavan. But towards the end, the instructor makes it look confused when she inexplicably returned to Beera after facing the rejection of her husband. No doubt that this particular sequence in the film is the result of bad writing. Nikhil Lakshman Driwedi who is energetic and should feel proud to be chosen by the master himself to a role.

Ravaan Abhishek is good, but that's it. It is not at all exceptional as always all pre-release hype created by the producers. Laughter deliberately much of his famous can be found nowhere in the film. Nor is a typical style of dialogue delivery adapted by him, contrary to expectations. It is therefore unable to leave any terrible impact on viewers. It's just a bad-hearted man in the film and that is everything. Perhaps it is the main reason rAAV does not match its expected level, due to poor representation of your character.

Another major drawback of this project dear to his height. The film ends with a single attack on Beera and die without a fight. The full range of his murder last seems very simple and convincing. In addition, the question remains that why Dev now easily accept his wife after the death Beera because she had returned to Beera after foul play.

In the face of music, I really liked the arrangement of the music of AR Rahman for his compositions. The melody was there only a few figures and the best is  'Kata Kata'  track with impressive vocals and rhythms.

Now about the movie is better than his impressive film. Green spaces and a large unexplored forests in the mountains, is something never seen on screen in India. The visual appeal of the film is simply outstanding and unique. In real terms, if you're a film student or film, then the manual actually obtained film material on the subject and is a must for anyone interested in their technology.

A total Raavan is a king-size disappointment regarding the content. From a business perspective, a film by Mani Ratnam ensure open [sound plexes mostly], but the script weakness on one side and the heavy toll on the other side will see red Raavan.

                      Ranjha Ranjha  Full Song (Raavan)