Friday, July 16, 2010Cast: Sanjay Dutt, Bipasha Basu, Kunal Kapoor, Shernaz Patel, Aman Verma, Yashpal Sharma, Vishwajeet Pradhan
During the development of Lamhaa in IIFA held recently in Sri Lanka, I had to ask the director Dholakia Rahul catch line of the film: "The Untold History of Kashmir. Obviously, I was curious. What was Dholakia tells us, viewers, had not been seen in movies before or read in newspapers or news channels? Dholakia gave a convincing answer, which justifies the capture line, but obviously do not reveal much about the film.
As Lamhaa unfolds, you realize Dholakia that may've taken a few episodes of their lives, but as she goes, she looks like a typical Bollywood harps company to be real, but end up being a masala Movies, as we have seen time and time again. The catch line, in my opinion individualist is totally misleading.
Dholakia seems to have done much research on the subject and Lamhaa boasts some moments of brilliant clarity, but the viewer is willing to have the perspective of inside information on Kashmir, something we have not read / see (on the news channels or films) above, which Lamhaa simply does not.
Only one word for this movie: Disappointing!
Military Intelligence must blow the plot, which may disturb and possibly paralyze Kashmir. Vikram (Sanjay Dutt) is sent to investigate the role of highly confidential, and leaves the identity of Gul Jehangir. The same day he landed in a valley, Haji (Anupam Kher), a senior separatist leader, clear explosion. If the connection is explosive and action?
To resolve this enigma, Vikram teams with Aziza (Bipasha Basu), Haji is young, dynamic and open protected. The intensity of their beliefs and their will to survive against all odds to create a special bond between them. Together they embark on a journey to discover the truth.
You expect much Dholakia, but it drops you in Lamhaa. Politicians want a bigger piece of cake or children are trained for jehad, or their bodies are filled with bombs is no longer a revelation. What you're interested in learning is to think of the Kashmiris, as frankly, this film does not really project. Ultimately, if you remember the visuals, not the content that means something is wrong with the film and unfortunately Lamhaa good intentions gone awry. Although the dialogue (Sai Kabir, Ashwath Bhatt) and screenwriting, trying to find a balance between the real and very thin. Music Mithoon is easy on the ears, but acts as a speed breaker in the narrative.
Sanjay Dutt seems difficult to prove to sign, but just could not mount. robust appearance, sunglasses and fashionable clothes which made me feel Sanju had entered a film set to shoot from the ad. Bipasha does not appear on his behalf, although I must add that he worked hard to stay true to his character. Sequence, when attacking workers Anupam Kher political party is simply brilliant.
You expect a lot Dholakia, but it leaves you in Lamhaa. Politicians want a bigger piece of cake or children are trained for jehad, or their bodies are filled with bombs is no longer a revelation. What you're interested in learning is to think of the people of Kashmir, as frankly, this film does not really project. Ultimately, if you remember the visuals, not the content that means something is wrong with the movie, and unfortunately Lamhaa good intentions gone awry. Although the dialogue (Sai Kabir, Ashwath Bhatt) and writing screenplays, trying to find a balance between the real and very thin. Music Mithoon is easy on the ears, but acts as a speed breaker in the narrative.
Mahesh Manjrekar is wasted. The same applies to Yashpal Sharma. Vipin Sharma is efficient. Jyoti Dogra stands. Murli Sharma is perfect. Shernaz Patel is decent. Rajesh Khera, Yuri Suri, Vishwajeet Pradhan, Asif Basra, Denzil Smith and Ehsaan Khan are going well in their respective regions.
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