Sunday, August 29, 2010

Aashayein Movie Review: Bizarre and abstract



Friday, August 27, 2010
Rate: 2/5





Cast:  John Abraham, Prateeksha Lonkar, Shreyas Talpade, Anaitha Nair, Sonal Sehgal, Girish Karnad, Vikram Inamdar



Almost every new-age film wants to try a true story about the film. The stories that are simply out of life / newspapers / news channels. These stories usually find an agreement with the ticket buying public if you say so convincing and, especially, said within commercial parameters.

Nagesh Kukunoor has been a pioneer in the measurement of choice and real-life stories are concerned. Aashayein also acts as "our" history. Here is a man who suddenly discovers he has a few months to live. The indomitable spirit of living life fully, in all circumstances is what you expect. But Aashayein is so weird and abstract, that you feel anesthetized after a point. Sorry, you do not respond to characters, you do not react to the film is.

As previous attempts to Kukunoor, Aashayein is sensitive and has said several times moving and poignant, but the story moves away from realism and eventually be a fantasy, leaving a bitter taste in the mouth. The Ark Raiders full track, with John thinking about Harrison Ford's boots, it is strange.

At a party celebrating a big gambling win, Rahul (John Abraham) to propose to his girlfriend Nafisa (Sonal Sehgal). Within minutes, he announced his engagement to collapse on the floor. After a medical diagnosis, Rahul discovers that only a few months of life. It 'was lung cancer.

Rahul may be shocked to hear a hospice, and without seeming out of his girlfriend on the packaging of your baggage and leave the middle of the night. Meet a number of people in hospice care, which may be healthy, but the spirit fair.

Millions of viewers worldwide, Hrishikesh Mukherjee's classic Anand (Rajesh Khanna, Amitabh Bachchan) is still one of the best films is a fantastic spirit of a person diagnosed with a terminal illness. That person (Rajesh Khanna) knows there is not much time to craft and distribute the light and decides to cheer about.

Aashayein While Anand has nothing to do (even if it is a reference to the film), the minimum Kukunoor Could have to tell the story without WAS HAVING Fantasy Zone. When it comes to issues as serious as death, when people seem to spend his last days in the hospital, you can not be diverted. Even the hospice here seems smaller than the destination city, where people came on holiday. Gravity is clearly missing!

On the positive side, the sequences between John and Nair Anaitha are wonderful. Same with John and Farida Jalal. Salim-Sulaiman's music in harmony with the environment of the film. The song was shot in Shreyas Talpade resumption of the lot. Sudeep Chatterjee camera captures even outside. But the writing is unclear and, as I noted at the outset, the climax of the story is hard to decipher.

Kukunoor is a master when it comes to extracting ideas and Aashayein also boasts of sparkling performances by each member votes. John is a whitewash of his earlier works and come to an honest and sincere performance. In fact, make you forget that this movie has a striking personality. Instead, you will notice fine actor under looks good and is what makes your relationship with this character for most regions.

Anaitha Nair is pure dynamite. Fiery, feisty, someone who can start a fire with water. He has certainly made people notice his talent after this film. Taine Sehgal is efficient. Girish Karnad, Farida Jalal and Prateeksha lonko are complete. Ashwin chital (as Govinda) is a natural center. Vikram Inamdar (as Xavier, a friend of John) is in order. Sonali Sachdev (Doctor) is sufficient. Shreyas Talpade is a song.

Overall, Aashayein falters and fails writing level. Aasha not much (hopefully) from Aashayein. Nevertheless, the film and was a shoe-string budget, then, as the recovery from theatrical distributors, safe ways to preserve, even if the business performance theater Would be disastrous.

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